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Arts & music ‘M’ Book Titles

Arts & music large print book titles (Array book titles)

 

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4 Arts & music Large print books available

Displaying 1-4 of 4

 

1. Makin' It to Nashville - Dwight E Sumner

Largeprint (Paperback / softback) Our price: 15.99  - Click book title for availability and further details

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2. Mr Showbiz (16pt Large Print Edition) - Stephen Dando-Collins

Largeprint (Paperback) Our price: 32.99  - Click book title for availability and further details

Born in Port Pirie, South Australia and moving to the UK in the 1950s where he soon established a theatrical agency, at the height of his success, in the 1970s, Robert Stigwood 'Stiggy' was the entertainment industry's most powerful tycoon. He came to renown managing the careers of the Bee Gees, Cream and Eric Clapton. He produced films including Gallipoli, Saturday Night Fever, Tommy and Grease. He was behind West End and Broadway musicals that were huge hits. Stigwood owned the record label that issued his artists' albums and film soundtracks, and he also controlled publishing rights. In addition to the many periods of success, there were also great crashes including an infamous Chuck Berry tour that failed to attract audiences and forced Stiggy to declare bankruptcy. In early 1966, Stigwood became the booking agent for the Who and also began managing the fledgling British group Cream, signing them to his record label Reaction, and their album was immediately successful. Stigwood's ability to pick and promote talent was astounding and he was also known for his many fallings-out. In 1967 the Australian group the Bee Gees arrived in the UK and Stigwood claimed that they were going to be as big as the Beatles. By April, the Bee Gees had their first top 20 hit, and by September their first UK no 1. Stigwood moved into theatre production and took Hair to London. After hearing a demo of Andrew Lloyd Webber and Tim Rice's musical Jesus Christ Superstar, Stigwood invested in the project. He oversaw the New York stage production and in 1973 produced the film adaptation. Stigwood continued to work with Lloyd Webber right up to the 1996 film of Evita. Stiggy got involved in making British television sitcoms and adapting them for US audiences. After watching John Travolta in Welcome Back Kotter, Stigwood signed him to a three-picture deal. After reading an article by British journalist Nik Cohn Stigwood developed it into the feature film Saturday Night Fever and asked the Bee Gees to write its music. The album soundtrack remains the biggest seller of its kind while the film proved a huge hit and helped make disco music an international phenomenon. Stigwood then produced the film of the musical Grease. Stigwood lived it up with private planes, yachts, a Central Park West penthouse and staff. The failure of the big-budget musical film of the Beatles' album Sgt Pepper's Lonely Hearts Club Band got to him and he sold his record label. Though his ability to create success had not left him entirely with musical productions and films benefitting from his involvement into the 1990s. For many years he lived a mostly reclusive life in an estate on the Isle of Wight though remained a part of the lives of the Gibb family.

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3. Metallica Club Dayz 1982 - 1984 (Large Print 16pt) - Bill Hale

Largeprint (Paperback) Our price: 16.99  - Click book title for availability and further details

Metallica: The Club Dayz is a collection of photographs of the now legendary rock band Metallica, between 1982 and 1984. This book contains rare and exclusive photographs from six of the band's earliest performances including their first shows in San Francisco at The Stone and The Old Waldorf which featured the original lineup with Dave Mustaine (guitar) and Ron McGovney (bass), Cliff Burton's introductory gig with the band at The Stone, the last Metallica show with Dave Mustaine, and Kirk Hammett's Metallica debut. As chief photographer of Metal Rendezvous International, a groundbreaking heavy rock magazine that was published throughout the '80s, Bill Hale was given unlimited access to hang out with and photograph this then - fledgling metal band. His job at the time was to capture the band onstage and offstage and provide the magazine with unique photographs of Metallica, from the band showcasing their brazen live energy in concert, to unveiling some of their crazy and unpredictable backstage antics. Bill Hale was right there from the very beginning, capturing the band before, during and after their performances. He was at every one of their early Bay Area shows, without the safety of a photo pit, crushed among the savage crowd as they head - banged fearlessly to the music of their local heroes. Here, for the first time Bill Hale opens up his photo vault. Witness one of the greatest rock bands of all time during their embryonic stage. Influenced musically by the new breed of British metal yet epitomizing the punk rock attitude, Metallica's loud, snotty and don't five a fuck attitude is very evident in these photographs. Most of the photos in this book have never been published and many of the images have never before been revealed to the public. Metallica: The Club Dayz is a long lost chapter of this band's visual history.

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4. Museums and Visitor Photography Redefining the Visitor Experience -

Largeprint (Hardback) Our price: 99.00  - Click book title for availability and further details

Museums and Visitor Photography is based on new research and innovative practice in some of the world's leading museums. This handbook will help museum and gallery professionals to understand, connect with, and sympathetically manage visitors' participation - both in the museum and online. "A primer in using photography to document, experience, and share." Jeff Gates, Lead Producer, New Media Initiatives, Smithsonian American Art Museum. "A cornucopia of the latest research. This book will become a standard reference on the topic. A great volume."Ed Rodley, Associate Director of Integrated Media, Peabody Essex Museum. "Much-needed context to inform photography policies, practices, and programs... an essential resource." Dr. Randy C. Roberts, Deputy Director, Manetti Shrem Museum of Art, University of California, Davis. "Fresh perspectives for museum and photography studies." Dr. Annebella Pollen, Principal Lecturer, History of Art and Design, University of Brighton. "A fascinating in-depth look at visitor interaction and photography within the museum setting." Jeremy Sutton-Hibbert, Document Scotland.

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